Chains regenerative fashion and original artworks are made from post consumer materials, and cleaned or treated to renew their functionality. No machinery or unnatural substances are used in production, while artistry and quality are prioritized to create items of singularity. Each one is distinctly contemporary in appeal and useful as such, yet originating entirely outside our linear materials economy.

Counter to modern manufacturing systems, the artistic process is slow, methodical and impossible to reproduce or duplicate. To exhibit the contrast, detailed documentation of the entire production—from intention and technique, to materials and labor—are made publicly available. In this way, visibility holds the artist and the buyer accountable to one another and their shared environment. At the same time, both the artwork and the production record go beyond economics as a mode of preservation and transmittance of pre-industrial knowledge and techniques, crediting the individual participants.